Favorite Cover Songs of 2021 - Songs 1-11

Here's the second half (or first half, depending on how you want to look at it) of my favorite 22 cover songs of 2021.

1. European Son by Matt Berninger (original by The Velvet Underground). 

"You made your wallpapers green

You want to make love to the scene

Your European son is gone

You'd better say so long

Your clowns bid you goodbye."

My favorite cover of the year - at least according to my ears and brain (my heart was with number two, which will become understandable when you read about and listen to it). This is an excellent example of what a cover can be - both reimagining the original and being true to it at the same time. The lyrics are admittedly not complex (the story behind it is here: https://en.wikipedia.org/wiki/European_Son), but the sound, especially Matt's voice, the harmonica, and the horns, got into my head and wouldn't leave. Yes, that's an endorsement for Mr. Berninger's vocals over Lou Reed's (in this instance).

2. Champaign Corolla by Steve Earle and The Dukes (original by Justin Townes Earle). 

"I know every man think that he need

Some high tone woman

Something built for speed

But you can't trust a rich girl

No farther than you can throw her

Need a middle class queen

Riding by in a champagne Corolla."

Steve Earle and his band recorded an entire album of Justin Townes' songs shortly after the latter's death. Hence my heart going with this one as my favorite cover of the year. While the whole album is excellent, I chose this one over the others, turning JT's sly solo effort into a rollicking country stomp. I cannot bring myself to choose between the two performances.

3.  Sad But True by Jason Isbell and the 400 Unit (original by Metallica). 

"I'm your truth, telling lies

I'm your reason, alibis

I'm inside, open your eyes

I'm you

Sad but true."

You read that correctly. Metallica. I'm not by any stretch of the imagination a metal fan, so this is one of those that took me a while before I realized it was a cover. One of the comments on the cover's YouTube page is "there is an alternate reality where this is the original." Just so. And much preferred to the original as well, at least by this listener.

4. Signed, Sealed, Delivered by Sharon Jones and the Dap Kings (original by Stevie Wonder).

"Oo wee baby, you set my soul on fire

That's why I know you're my heart's only desire

Ooo baby

Here I am

Signed, sealed, delivered, I'm yours."

One of my all-time favorite songs. While Ms. Jones certainly did it justice, you simply can't top Stevie's "Heyyyy hey, oh yeah baby" at the top. And to her credit, she didn't really try to.

5. Train in Vain by Rostam (original by The Clash).

"Now I got a job

But it don't pay

I need new clothes

Need somewhere to stay

But without all of these things

I can do

But without your love

I won't make it through."

Another song everyone should know. While I've already expressed my admiration for Rostam's voice, it's hard not to hear this one sung by Mick Jones in your head (even when it's Rostam instead).

6. I'm Waiting for My Man by Matt Berninger (original by The Velvet Underground).

"Baby don't you holler 

Darlin' don't you bawl and shout

I'm feeling good 

You know I'm gonna work it on out

I'm feeling good 

I'm feeling oh so fine

Until tomorrow 

But that's just some other time

I'm waiting for my man."

Hard to top one of my favorite artists covering one of my favorite artists (except, of course, for the five songs above, which include one of my favorite artists covering one of my favorite artists ...). While I think most would admit that Matt's voice is better than Lou Reed's, the latter's is perfect for a song about a junkie waiting for his dealer. Two very different, and very excellent, versions of the same song. Final score: Matt 1, Lou 1.

7. Summer's End by Phoebe Bridgers (original by John Prine).

"The moon and stars hang out in bars just talking

I still love that picture of us walking

Just like that ol' house we thought was haunted

Summer's end came faster than we wanted."

Another example of one of my favorite artists covering another. Love and respect to Mr. Prine, but Phoebe's vocals rule.

8. Harvest Moon by Lord Huron (original by Neil Young).

"Because I'm still in love with you

I want to see you dance again

Because I'm still in love with you

On this harvest moon."

A lovely, Latin-tinged cover of a classic (and quiet) Neil Young song. Another one that one could say could, in a different dimension could have been the original. And another that I would say the original vocals can't be topped.

9. For What It's Worth (Stop, Hey What's That Sound) by Jaguar Son (original by Buffalo Springfield).

"Paranoia strikes deep

Into your life it will creep

It starts when you're always afraid

Step out of line,

The man come and take you away."

Pretty much a perfect song for late 1966 (when the original was released) or August 2020 (when this cover was). As good as this version is, I give the nod to Stephen Stills' original vocals.

10. Waterfalls by Death Cab for Cutie (original by TLC).

"Don't go chasing waterfalls

Please stick to the rivers and the lakes that you're used to

I know that you're gonna have it your way or nothing at all

But I think you're moving too fast."

Definitely a different feel to this version, as you would expect from a Death Cab take on a TLC song (and, of course, no rapping). Love Ben Gibbard and his voice, but not as much as T-Boz's on this song.

11. Manic Monday by Billie Joe Armstrong (of Green Day) (original by The Bangles, courtesy of songwriter Prince). 

"Have to catch an early train

Got to be to work by nine

And if I had an aeroplane

I still couldn't make it on time."

Call me tin-eared, shallow, whatever, I've always had a soft spot for '80's girl groups -- the GoGo's, Bananarama, and The Bangles. So Mr. Armstrong redoing a Bangles' song, with Susanna Hoffs on rhythm guitar and backing vocals? I couldn't resist. But I still prefer Ms. Hoffs' vocals on the original.

That's it for this year's covers. Stayed tuned for my favorite original songs of 2021.

Favorite Songs of 2020 - Songs 1-11

We made it! The end of a horrible year, the end of what I hope you found was an entertaining and (even more than usual, I believe) eclectic list. Here's to hoping we all get to congregate at some point in the not too distant future, whether it be in the office, at church, at sporting events, or, more pertinent to this topic, at concerts. It can't come too soon!

1.  ICU (or I See You) by Phoebe Bridgers.

"I'll climb through the window again

But right now it feels good not to stand

Then I'll leave it wide open

Let the dystopian morning light pour in."

The most difficult part of this part of the list was choosing which lyrics to include for ICU. The entire song is chock full of insightful, and biting, commentary about love gone wrong. While admittedly Ms. Bridgers and her work have appeared on a lot of "best of" lists in 2020, fortunately for my contrarian nature most have been in acknowledgement of her songs "I Know the End" and "Kyoto" or for her outstanding album Punisher. ICU, however, has been enduringly my favorite since I first heard it early in 2020.

2.  Armageddon's Back In Town by Drive-by-Truckers.

"The die has been cast

Symbolism's so pronounced

That there's nothing left to wonder or explain

There'll be no healing

From the art of double-dealing

Armageddon's back in town again."

If you think its sounds like the boys from Athens (although apparently at least some of them live in Portland now) don't sound optimistic, it's because they're not. Also check out "Thoughts and Prayers" from their excellent album The Unraveling and "The New OK" from their follow-up effort of the same name later in the year. DBT may be bowed, but they are not broken.

3.  Bad Decisions by The Strokes.

"Oh, baby, I hang on everything you say

I wanna write down every word

But do me a favor, when you come close

When I look around, don't wanna see you

I don't take advice from fools

Never listening to you."

The list has often featured songs that I bill as that year's offering of "sounds like The Strokes." This year we have ... The Strokes sounding like a mashup of Billy Idol and Modern English. While Julian Casablancas doesn't sound like he's completely pleased with how he's aged, I still wanna be him when I grow up.

4.  Fastest Man Alive by Steve Earle.

"I'm the rumble with the thunder

I'm the bolt out of the blue

I'm the master of the stratosphere

A pilot tried and true

My name's Charles Elwood Yeager

And I've been everywhere

Paris, London, Timbuktu

And Dover, Delaware

Ended up in California

That's where I'm gonna die

I come from West Virginia

I'm the fastest man alive."

Sadly, West Virginia's favorite son died this year (and even more sadly, Steve Earle's son, Justin Townes Earle, did as well). But Steve got it right, Chuck died in California. And he also got it right that Chuck was the "master of the stratosphere, a pilot tried and true" along with being, in Tom Wolfe's words the "most righteous of all the possessors of the right stuff."

5.  AUATC by Bon Iver.

"Ate up all their cake

And they drank their own wine

They were always on the take (will you shed a little light on it?)

Well, you know the burden ain't of dust

The only path to love is touch

I know that all that ain't proper mounts to much."

AUATC = Ate Up All Their Cake. Yes, that's The Boss you hear helping out in the chorus. A protest song for our post-COVID, post-George Floyd, post-destruction of the middle class times.

6.  Fire by Waxahatchee.

"I take it for granted

If I could love you unconditionally

I could iron out the edges of the darkest sky

For some of us it ain't enough

It ain't enough."

My favorite song from Katie Crutchfield's (aka Waxahatchee) excellent album St. Cloud. I also recommend "Can't Do Much" and "Arkadelphia" from that stellar work, which is much quieter than Waxahatchee's earlier offerings.

7.  Shangri-La by EOB.

"Going back

I'm not going back

In the old house

We'll burn it to the ground."

EOB is Ed O'Brien of Radiohead fame. One song that's here more for the music than the lyrics.

8.  Surrender by Will Butler.

"I'm so tired now

I'm so tired of

Thinking of you

No, no, no, child

I wish you were outta my head."

As convincing as he can be, I don't think Will's winning this argument -- whether it's with the subject or (more likely) himself. Will's better known as a multi-instrumentalist and frenetic stage presence in Arcade Fire.

9.  Persona Non Grata by Bright Eyes.

"Getting dressed for a date

Put on Blue aftershave

Wore a kilt like a Celt

Hid the way that I felt."

The first album in nine years by Bright Eyes is full of angst and Connor Oberst's quivering vocals (and stellar lyrics like the ones above). List regulars will remember Mr. Oberst teaming with Ms. Bridgers last year in Better Oblivion Community Center, whose offerings included "Little Trouble" (which also made my Favorite Songs of the 2010's list). A bright, smart downer in a dismal year, and another song about love lost, a genre for which I have an unexplainable affinity.

10.  Different Light by Best Coast.

"Askin' myself all the time, what if this just goes away?

'Cause I have gotten used to lookin' forward to another day

Probably why I live my life in black and white and never grey

Who am I to judge if you still see things in a different light?"

Another song from the past year that has a strong late '90's-early aughts feel to it. I guess this is a plea for finding common ground? If so, I'm fine with that.

11.  Good Times by The Lone Bellow.

"Boy he's wrestled down his demons

Broke the fall of all his friends

Quotes the Bible and the Koran

Has the heart of fifteen men.

Never wonders what you're doing

Never needs the words to say

There's some good ones still trying

Let's no good time slip away."

Spotify tells me I listened to this song more than any other in 2020. Perhaps that's because it was released early in the year; just as likely it's because I love its optimism (I want to meet whomever it is it was written about, if he exists) that helped with the isolation of most of this year. Which, hopefully, will not be the norm for all of 2021.