Showing posts with label Japandroids. Show all posts
Showing posts with label Japandroids. Show all posts

Sunday, December 17, 2017

Favorite Songs of 2017: Songs 12-22

Without further ado, songs 12-22:

12.  Hope the High Road by Jason Isbell and the 400 Unit.

"I've heard enough of the white man's blues
I sang enough about myself.
So if you're looking for some bad news
Well you can find it somewhere else.
Last year was a son of a bitch
For nearly everyone we know.
But I ain't fighting with you down in a ditch
I'll meet you up here on the road."




To be clear, when I called Isbell the new poet laureate of Appalachia in my last post, it was MY   version of Appalachia to which I was referring.

13.  Now & Then by Sjowgren.

"Some things had changed
But others stayed the same and you,
You had your stories.
Some different stories
I left behind."


I don't know much more about the artist than I did in 2015 when their (her?) song "Seventeen" was high on my list. But they appear to enjoy the mystery. As long as they keep making music like this, that's okay with me.

14.  Fashion by The Royal Concept.

"'Cause I love the way you wear on me
And you fashion is so wild and free
Honey, loving you ain't easy
But I'm not gonna leave ya
No no
So baby put your dope ass crazy fashion on me."


The boys from Sweden are also a past member of the list, albeit five years ago, with a song that reminded me of The Strokes (and Phoenix). "Fashion" puts me more in mind of a certain Purple Icon of Pop who passed away last year. Even if their music continues to be a bit derivative, as long as it sounds like this, I say "vive la sameness."

15.  I Dare You by The xx.

"I get chills
Heartbreak multiplies
I'm on a different kind of high.
A rush of blood is not enough
I need my feelings set on fire."


Just a plain ol' lovely love song.

16.  Then Again by Pinegrove.

"Wakin' in an unusual town
every morning this September.
You could sleep it off and leave it all
but in the morning you remember."


Along with Jason Isbell, the other artist with two songs on this year's list. Pinegrove's album "Cardinal" is my favorite of 2017.

17.  Near to the Wild Heart of Life by Japandroids.

"I was destined to die dreaming
When one day, my best friend
With passion and pure provocation
Summoned me and said
'You can't condemn your love
To linger here and die
Can't leave your dreams to chance
Or to a spirit in the sky.
May your heart always be ardent
Your conscience always clear
And succumb to the city and surrender, baby
I'll be waiting here."


If you ever get the chance, go see Japandroids live. It's astonishing how much (excellent) sound can come out of two guys, a guitar, and a set of drums.

18.  Fighting a Ghost by Matt Hires.

"What do you say
when your heart's not in it?
What do you do
when there's no new beginning?
How do you start
When you've forgotten how to finish?"


I've really liked Matt Hires for quite a while now, particularly his voice and the little bit of disgust or outrage boiling just below the surface, even if he's just singing about lost love.

19.  Slip Away by Perfume Genius.

"Don't look back, I want to break free
If you'll never see 'em coming
You'll never have to hide.
Take my hand, take my everything."


In a year of angst and equivocation, there was at least one simple love song that I liked a lot -- and this is it. And those drums ...

20.  Holding On by The War on Drugs.

"Now I'm headed down a different road, yeah
Can we walk it side by side?
Is an old memory just another way of saying goodbye?"


Highway songs are common, particularly in the U.S. Somehow, The War on Drugs managed to make the genre uniquely their own in this song.

21.  Edge of Town by Middle Kids.

"I got all muddled up and journeyed to the edge of town
And then the road cracked open, sucked me in and I went down
I'm standing face to face with the kind of the underground
Some things just don't add up, I'm upside down I'm inside out."


This Aussie group toured with Cold War Kids this summer. Talk about the ultimate vacation for the Kids!

22.  Don't Take the Money by Bleachers.

"Will we fight, stay up late?
In my dreams I'm to blame
Different sides of the bed
Roll your eyes, shave my head
Now we're stuck in the storm
We were born to ignore
And all I got is a chance to just sit
(Baby love me you've got me, runaway)."


Proof that pop songs aren't necessarily devoid of meaning (or self-examination). Yes, that's Lorde you hear singing - she co-wrote "Don't Take the Money" with Bleachers' Jack Antonoff. And yes that appears to be Maeby Funke commiserating with Jack at the start of the video (and presiding over his "The Graduate" like wedding at the end). And finally, yes, Jack seems to regularly get his butt kicked in Bleachers videos.

Thursday, June 20, 2013

Bye Bye Roo

This post started out as a lengthy, bitchy explanation of how much I enjoyed my second Bonnaroo experience this past week and why I'm very probably never going back.

That draft, however, hardly reflected how much fun I had and that the Roo experience was overall a positive one. Plus it just seemed, well . . . old and grumpy. So instead, I decided to just hit both the highs and lows of the week to give you a little window into what it's like to be a Bonnaroovian.

Hi, Hi, Hi. Yes, Paul McCartney and his band played Hi, Hi, Hi during his fantastic Friday night show.  But the showstopper was Live and Let Die, which probably isn't among my top 50 favorite Beatles or Wings songs. Blackbird showed that Sir Paul's voice still has some range and Helter Skelter and Back in the U.S.S.R. completely rocked. "Epic" was how my brother described it. Just so.

Low. People with crap on sticks. Big sticks that they wave around and block your view with during a show. Part of the "look at me" shtick that so many seem compelled to engage in. Several times I wished I had a blow dart or bottle rocket ...

High? Even if you indulged in a pharmaceutical, Django Django and Japandroids back-to-back would Wear. You. Out.

Low. Bros and Sorority Chicks. More interested in talking about themselves, school, drugs, than about music. While music is playing. Take your cellphone picture, tweet that you're at Of Monsters and Men, then shut up and leave.

High. Tom Petty and the Heartbreakers. My brother has convinced me that I undervalued the performance immediately afterward, and I admit my admiration has grown over the week. Absolutely killed Love is a Long Road, one of my favorite Petty songs.


Low. Hula Hoops. Another part of the "look at me" crowd, people take hula hoops to shows, take up six times as much room as anyone else, and twirl them in their hands and on their torsos. I remain unimpressed.

High. Macklemore. A rollicking hour of fun both a 21-year-old and a 55-year-old could love. Highlight was Mack borrowing a fur coat from someone in the crowd to belt out Thrift Shop. And, yes, Ray Dalton was there. And sounds better live, believe it or not.

Low. Stoners who believe it's their right to shove their way to the front of the crowd, no matter how late they are to the show or how many people are in front of them.

High. Our fellow camper Jason, who came all the way from California for the show. Fascinating guy.

Low. The fat obnoxious Canucks who camped behind us.

High. JD McPherson. Straight up rockabilly fun.

Photo courtesy of me.

Low. Something called Delta Rae. No. No, no, no.

High. The National. Amazing live. And Kacey Musgraves, Dwight Yoakam, Jason Isbell, and, yes, Weird Al Yankovic.

High. The Mowgli's. At least three Nelsons will be surprised if they're not the next big thing.

Highest. The weekend spent with my brother and son, enjoying great music in the Tennessee sun. So long Bonnaroo. And thanks.