You may have heard about the NFL's plan to auction off the right to entertain at halftime at the Super Bowl. The latest edition of the game will be held this coming February in Phoenix.
It's Super Bowl XLIX, if you're scoring at home (or even if you're alone, as Dan Patrick used to say), slightly less unwieldy but more optically jarring than last year's XLVIII edition. Do we really care which Super Bowl it is? They don't number the World Series, or UEFA Champions' League finals.
It's Super Bowl XLIX, if you're scoring at home (or even if you're alone, as Dan Patrick used to say), slightly less unwieldy but more optically jarring than last year's XLVIII edition. Do we really care which Super Bowl it is? They don't number the World Series, or UEFA Champions' League finals.
Yep, you got it. Roger Goodell, in all his wisdom, has decided to make artists pay to entertain.
While having avoided the embarrassment of either being forced to move XLIX or hold it in a host state with an overtly discriminatory law, the NFL still has a lot of other issues on its plate that would seem more pressing. Like the fact that one of its franchises has an overtly racist nickname that is coming under increasing derision. And concussion lawsuits.
Nonetheless, Goodell has blithely pressed on with his main mission: to make NFL owners lots and lots of money.
The latest well of cash to be fracked is the Super Bowl halftime show. The NFL has reportedly asked the three "finalists" (Rihanna, Katy Perry, and Coldplay) in contention to perform to pay for the right to. While even seemingly sympathetic news sources have questioned the idea, it's the reaction of the music industry that interests me more.
They're not very fond of it.
The halftime show is undeniably a marketing boom for the performer that gets the gig (Madonna and The Who both saw huge bumps in the purchase of their music after recent appearances). Some agents have acknowledged that there may be some benefit to up-and-coming artists to have the spotlight in front of 100,000,000 viewers, but that need hardly seems to be the case for the three finalists.
But there's just something, well, smarmy about the whole idea of making artists pay to play. Not to mention the fact that the kind of artists the NFL wants (those who will keep fans glued to their sets and halftime commercials) both have the least need for the exposure and likely the biggest egos to be offended by the demand to pay.
But there's just something, well, smarmy about the whole idea of making artists pay to play. Not to mention the fact that the kind of artists the NFL wants (those who will keep fans glued to their sets and halftime commercials) both have the least need for the exposure and likely the biggest egos to be offended by the demand to pay.
One thing is fairly certain. Arcade Fire will not be headlining at the University of Phoenix stadium at XLIX next year, and probably not at any Roman numeral in the future. Their agent, David Viecelli delightfully summed up his response to the NFL's attempted extortion when he said that he hopes "that everyone tells them to get stuffed."
Not coming to a Super Bowl near you. (photo from Spin) |
A lot of us feel that way.